So there won't be any new posts for a week or two because I'll be in Portugal for ten days with Jeanne D'Angelo. Actually, I've set this to autopost so I'll be lurking around cobblestone streets in the shadow of mysterious Templar cathedrals while you read this. Unless of course my plane crashed on the way, in which case this post will be extremely sad and weird.
Anyway, here's some sketches in lieu of new drawings.
First of the sketches is the last dude I posted, the Land-Crustacean. I actually had a hard time figuring out what this guy was gonna look like. The sketch I went with still looks pretty different from the final version. The one of the left looks more like a crab, while the one on the right looks like a flea mixed with a lobster.
Next up is the Ithaqua sketch. I love this one. It's so adorable. Way cuter than how the actual creep turned out. I was looking at a lot of Don Kenn drawings for Wendigo inspiration.
Finally, we have this little slug beastie who appeared in From Beyond. This is actually a way more detailed sketch than I usually do, but I think it worked out considering how detailed this one is.
Ok, I hope that can hold you ravenous maniacs over for a bit while I explore Lisbon's hidden alleys. Stay tuned, because when I get back there's gonna be more bizarreness from the R.H. Barlow and C. M. Eddy collaborations!
Monday, December 12, 2011
Friday, December 9, 2011
Wednesday, December 7, 2011
LESS DESCRIBABLE THING
LESS DESCRIBABLE THING
"The region was putrid with the carcasses of decaying fish, and of other less describable things which I saw protruding from the nasty mud of the unending plain."
H.P. Lovecraft, Dagon
"The region was putrid with the carcasses of decaying fish, and of other less describable things which I saw protruding from the nasty mud of the unending plain."
H.P. Lovecraft, Dagon
Tuesday, December 6, 2011
LIVING HINDOO IDOL
LIVING HINDOO IDOL
"All the objects—organic and inorganic alike—were totally beyond description or even comprehension. Gilman sometimes compared the inorganic masses to prisms, labyrinths, clusters of cubes and planes, and Cyclopean buildings; and the organic things struck him variously as groups of bubbles, octopi, centipedes, living Hindoo idols, and intricate Arabesques roused into a kind of ophidian animation."
H.P. Lovecraft, Dreams In the Witch-House
"All the objects—organic and inorganic alike—were totally beyond description or even comprehension. Gilman sometimes compared the inorganic masses to prisms, labyrinths, clusters of cubes and planes, and Cyclopean buildings; and the organic things struck him variously as groups of bubbles, octopi, centipedes, living Hindoo idols, and intricate Arabesques roused into a kind of ophidian animation."
H.P. Lovecraft, Dreams In the Witch-House
"Makara: This is the name of a monster of the sea in the traditions of India, Thailand, and Indonesia. Indeed, the name may be translated as 'Sea Monster,' but this being is depicted variously as a gigantic and grotesque crab, or as part crocodile and part bird, or as part deer with the hindquarters of a fish. The name 'Makara' is often applied to any composite monster with elements of both fish and mammal and may often have parts of an elephant, especially the trunk, when depicted as a guardian on Hindu temple gateways. It is the steed of the gods Ganga and Varuna and, occasionally, of Vishnu. It is the equivalent of the Western zodiac sign of Capricorn in the Hindu calendar."
Carol Rose, Giants, Monsters and Dragons
Friday, December 2, 2011
GHOST WEREWOLF
GHOST WEREWOLF
"When he smiled a welcome he showed a magnificently even set of firm white teeth, and as he waved me to a chair I was struck by the fineness of his slender hands, with their long, tapering fingers whose ruddy, almond-shaped nails were slightly curved and exquisitely manicured."
"I noticed the huge hairy arms that hung at his side in such curious contrast with his delicate hands."
"Taking the lamp and turning in the hall to say good-night, I could see his eyes glowing almost phosphorescently in the darkened room I had left; and I was half reminded for a moment of the jungle, and the circles of eyes that sometimes glow just beyond the radius of the campfire."
That scream had roused me to action, and in a second I had retrieved my automatic and emptied its entire contents into the wolfish monstrosity before me. But I heard the unhindered thud of each bullet as it imbedded itself in the opposite wall."
"They never found the Count's mangled body, sonny, and a gaunt gray wolf hoverin over it with blood-slavering jaws."
H.P. Lovecraft & C.M. Eddy Jr., The Ghost-Eater
"When he smiled a welcome he showed a magnificently even set of firm white teeth, and as he waved me to a chair I was struck by the fineness of his slender hands, with their long, tapering fingers whose ruddy, almond-shaped nails were slightly curved and exquisitely manicured."
"I noticed the huge hairy arms that hung at his side in such curious contrast with his delicate hands."
"Taking the lamp and turning in the hall to say good-night, I could see his eyes glowing almost phosphorescently in the darkened room I had left; and I was half reminded for a moment of the jungle, and the circles of eyes that sometimes glow just beyond the radius of the campfire."
That scream had roused me to action, and in a second I had retrieved my automatic and emptied its entire contents into the wolfish monstrosity before me. But I heard the unhindered thud of each bullet as it imbedded itself in the opposite wall."
"They never found the Count's mangled body, sonny, and a gaunt gray wolf hoverin over it with blood-slavering jaws."
H.P. Lovecraft & C.M. Eddy Jr., The Ghost-Eater
Thursday, December 1, 2011
RED BIRD OF CELEPHAÏS
"Every year sailors with such a face came in dark ships from the north to trade their onyx for the carved jade and spun gold and little red singing birds of Celephaïs, and it was clear that these could be no others than the half-gods he sought."
H.P. Lovecraft, Dream-Quest Of Unknown Kadath
H.P. Lovecraft, Dream-Quest Of Unknown Kadath
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