Tuesday, April 30, 2019

JELLYFISH-LIKE CREATURE (FEMALE)

JELLYFISH-LIKE CREATURE (FEMALE)
"She was a creature somewhat like Okwu, jellyfish-like and the size of a storage shed, except her dome was a deep shade of black and she had antennae at the center with a large yellow eye."
Nnedi Okorafor, Binti: Home


Monday, April 29, 2019

TUNGWA

TUNGWA
"'Tungwas are just things that dwell in Leopard Knocks,' Orlu explained. 'Floating bags of teeth, bone, meat, and hair. They explode when they're ready.'"
Nnedi Okorafor, Akata Witch

"Round and large as a basketball, its thin brown skin grazed the tip of a flower."
Nnedi Okorafor, Akata Warrior


Friday, April 26, 2019

News...


I know it's been a while since I posted new monsters but this coming Monday I'll be posting two weeks worth of new creatures inspired by the work of one of my favorite contemporary authors, Nnedi Okorafor

Her Binti series, a space opera rooted in a futuristic Africa, got me hooked and since then I've read Who Fears Death (which is currently being developed into an HBO series produced by George R. R. Martin) and it's prequel The Book Of Phoenix, Lagoon (a parable about environemental and societal corruption) and the Akata Witch series (imagine Earthsea but set in an alternative modern day Nigeria). 

The Binti series is a shining example of fiction that makes me work on this blog. Reading it, I had to draw the beautiful, bizarre and alien creatures described in it. As I was reading I was tracing the lines of the Meduse in my head, working out how the jellyfish-people differ and imagining the colors of the ntu-ntu bugs. If her writing wasn't so compelling I'd have put the book down right then and there and started to draw. But her writing is compelling. It's down to earth while being set on Mars. It's got big picture issues told through the lens of a personal experience. I love her work so much and hopefully I'll inspire some of you to read her stories if you haven't already. 


Tuesday, April 23, 2019

NEWS!!!


Hey everyone! I know this February was filled with monsters but I had to take a break from March until now. Mostly because I was working out the details of a very exciting upcoming project. I was keeping quiet about it but now I can announce...


Lethe Press will be publishing three books of monsters that I've illustrated! Lethe Press has  been a stellar publisher of weird/horror fiction having released Tom Cardamone's Pumpkin Teeth, Anya Martin's Sleeping With the MonsterLivia Llewellyn's Engines Of Desire and T.E. Grau's The Nameless Dark.



The first book will focus on creatures from world mythology and folklore, tentatively titled "Monstrous Mythology: Illustro Obscurum I" we're aiming for a release by the end of this year! Here's a quote from the Lethe press release: 

"The ancient myths bears their fangs in this illustrated book by artist Michael Bukowski. As a child, the artist read the works of H.P. Lovecraft and discovered how that weird fiction author name-dropped a veritable who's who of gods and creatures from ancient folklore. Before long, Bukowski began sketching how he imagined Apollo and Circe as frightening entities."

"Paperback, 96 pages, featuring full-color art throughout!"

So for those of you who haven't been able to grab one of the extremely limited hand made zines, I'll finally have a mass market version available. You should also expect some gods/creatures never before available and some reworked or completely redrawn monsters!

I'm extremely excited about working with editor Steve Berman and 
Lethe Press! Keep checking in here or on Seventh Church Ministries or Lethe Press for updates!

Friday, February 22, 2019

SHAPELESS BLOB

SHAPELESS BLOB

"The light-robed dweller in the red barrens sat there, and the great black blob of shapeless jelly heaved gently on the crystal floor."
C.L.Moore, Jirel Meets Magic



Thursday, February 21, 2019

DWARFISH THING


DWARFISH THING
"In a few moments the dwarfish shape had stumbled to Angela. In the darkness Barbara might have mistaken it for a child, except that its unstable head was disproportionately small, its skin appeared to be flapping."

"She handed the object to the dwarfish thing, which floundered away at once, toward the marshes."
Ramsey Campbell, The Nameless


Wednesday, February 20, 2019

COATLICUE

COATLICUE
"Depictions of Coatlicue are fairly rare in Aztec art. The most famous representation, and one of the most powerful Aztec sculptures, is the colossal figure discovered in 1790 alongside the cathedral of Mexico. Coatlicue wears a dress of woven rattlesnakes. Her pendulous breasts are partially obscured behind a grisly necklace of severed hearts and hands. Writhing coral snakes appear in place of her head and hands, denoting gouts of blood gushing from her severed throat and wrists. The two great snakes emerging from her neck face one another, creating a face of living blood."
Mary Miller & Karl Taube, The Gods and Symbols Of Ancient Mexico and the Maya


Tuesday, February 19, 2019

SHADE


SHADE
"An empty black face save for pale grey pinhole eyes, staring up at her, meeting her wide-eyed gaze with utter impunity. A  smudged charcoal sketch of something vaguely humanoid, limbs long and spider-thin. It sat there for a moment, boneless in the seat beside her; it blinked languidly, lids like shutters sliding over those hard grey eyes."

"It lurked there a moment, barely visible but there, and when it finally came into the light - tentative, as if it might burn - she knew what it was. An oil-smear of a creature; the awful distortion of something almost human, crawling slowly on four long matchstick limbs. A narrow, elongated head bobbed limp on a thin neck. Pale eyes flickered open like newly-lit flames."

"The skin of it peeled back, the space below the eyes opening like a shutter to reveal  a gleaming lamprey mouth: a perfect circle of bright, needle-sharp teeth."

"The only solid facts I know is that the Shades are actually real, that I started seeing them after the bomb, and that they've been following me about ever since."
Laura Mauro, Naming the Bones


Monday, February 18, 2019

OOZING FEASTER


OOZING FEASTER
"Sonny thrashed against the floorboards and continued to ejaculate. In the near darkness, she became confused by what she saw--the short quick spurts that arced across his body were neither ropes nor strands, but thick and segmented. She'd seen a dead bird in the garbage and what had feasted upon it in oozing carpets, and her mental equilibrium wobbled mightily. "
Laird Barron, Catch Hell


Friday, February 8, 2019

RONDOCHE FAMILIAR


RONDACHE FAMILIAR
"And Leonardo was always interested in monsters. He shut himself away and studied all kinds of unpleasant little things - lizards, spiders, bats - and borrowed from all, blending and flavoring them with his own genius."

"If Leonardo da Vinci, a curly-blond boy in his teens, had studied lizards, bats and spiders for this, he had not hodge-podged his studies. Anyone else would have been content with a lizard's body, a spider's knuckly jointed legs, a bat's wings. Not so Leonardo, master of his eye and hand and brush even before his voice had changed and the first peachy fuzz had sprouted for the the beginning of that apostolic beard he was to wear."

"The legs - there seemed to be a great many of them - were hairy and jointed, but those in front, at least, bore hand-like extremities, reminiscent of the forefeet of lizards. Those wings were true da Vinci work; Norbier remembered the tales of how da Vinci, seeking to invent the airplane centuries before Langley or Wright, studied painstakingly ever flying creature, bat, bird and insect. As for the thing's head, that was apparently meant to seem a squat, dark-furred blotch, with two glowing close-set eyes peering from the thick fur as from an ambush. A real face to it, flattened like a bat's and a mouth with a jaw of ophidian shallowness, but a little open to show... yes, fangs. No wonder that everyone who saw the thing, from Piero da Vinci to the present, squared his shoulders a trifle to dissemble a shiver."

"It seemed to crouch there, then to hoist itself erect on the tips of its multiple claws. Among the curved, jointed brackets of its hind legs hung a puffy body, like a great crammed satchel. The integument had pattern, like scales, and from the spaces between the scales sprouted tufts and fringes of dark fur, like plush grown wild. And it had wings, also scaly and tufted, ribbed like a bat's that winnowed and stirred above its bulk. The head, a shaggy ball, craned in his direction. Deep within the thicket of fur upon the face clung two wise, close-set eyes, that glowed greenly, then redly, at him. Between and above them the fur seemed to part in two directions, as if the undeveloped forehead frowned.  A mouth opened, the light caught a stockade of white, irregular, pointed fangs. A great gout of foam came out, and fell splashing on the floor."

"The two foremost limbs rose, and at the ends Norbier saw hand-like claws, like the front feet of a big, big lizard."
Manly Wade Wellman, The Leonardo Rondache