Friday, October 4, 2019


Hey everyone! I just wanted to let you all know that Friday October 18th the third of my Margaret St. Clair inspired zines will go on sale. They'll be limited to 15 and I'll also be doing limited reprints of Kumpendyum I & II!


Illustrated by Michael Bukowski
Inspired by Margaret St. Clair

Thursday, October 3, 2019


"For the cat is cryptic, and close to strange things which men cannot see. He is the soul of antique Aegyptus, and bearer of tales from forgotten cities in Meroë and Ophir. He is the kin of the jungle’s lords, and heir to the secrets of hoary and sinister Africa. The Sphinx is his cousin, and he speaks her language; but he is more ancient than the Sphinx, and remembers that which she hath forgotten."

"What was the land of these wanderers none could tell; but it was seen that they were given to strange prayers, and that they had painted on the sides of their wagons strange figures with human bodies and the heads of cats, hawks, rams, and lions. And the leader of the caravan wore a head-dress with two horns and a curious disc betwixt the horns."
H.P. Lovecraft, The Cats Of Ulthar

"Khnum, one of the oldest gods of Egypt, came from the area of the First Cataract, to the far south. He became associated with the annual Nile flood, which seemed to originate from his domain. As a symbol of fertility which the flood brought, he was depicted with the head of a ram and given the role of a creator-god. A temple of the Roman period portrayed him as creator of all, even the other gods."

"Khnum created the human race from clay, which he made by mixing earth and
water with air."
 Charles Freeman, The Legacy Of Ancient Egypt

"Khnum was self-created and the maker of heaven, raising it on its four pillars. He was also the maker of the underworld and of water, of things which are and of thing which shall be."

"Khunum was represented as a man wearing the head of a ram with horizontal wavy horns, or as a ram standing on its hind legs, which was called the 'living soul of Ra'."
Veronica Ions, Egyptian Mythology

Tuesday, October 1, 2019


"The strange dark men danced in the rear, and the whole column skipped and leaped with Dionysiac fury. Malone staggered after them a few steps, delirious and hazy, and doubtful of his place in this or in any world. Then he turned, faltered, and sank down on the cold damp stone, gasping and shivering as the daemon organ croaked on, and the howling and drumming and tinkling of the mad procession grew fainter and fainter."
H.P. Lovecraft, The Horror At Red Hook

"Here Laurell'd Muses all their arts reheards, 
And ivy'd Bacchus waves his budding thyrse" 
H.P. Lovecraft, Simplicity: A Poem

"DIONYSOS, the youthful, beautiful, but effeminate god of wine. He is also called both by Greeks and Romans Bacchus (Bakchos), that is, the noisy or riotous god, which was originally a mere epithet or surname of Dionysus, but does not occur till after the time of Herodotus."

"Bacchus with horns, either those of a ram or of a bull. This representation 
occurs chiefly on coins."
Sir William Smith, Dictionary of Greek and Roman Biography and Mythology 

"But she, foaming at the mouth and twisting her eyes all about, not thinking as she ought, was possessed by Bakkhos, and he did not persuade her. Seizing his left arm at the elbow and propping her foot against the unfortunate man's side, she tore out his shoulder, not by her own strength, but the god gave facility to her hands." 
Euripides, The Bacchae

"That the Bacchanalia have for some time been going on throughout Italy and are now practiced in many parts of the City you have, I am sure, learnt not only by report, but also by the nightly noises and yells which resound all over the City; but I do not think you know what it all means."

"In the first place, then, women form the great majority, and this was the source of all the mischief. Then there are the males, the very counterparts of the women, committing and submitting to the foulest uncleanness, frantic and frenzied, driven out of their senses by sleepless nights, by wine, by nocturnal shouting and uproar."

"When once the mysteries had assumed this promiscuous character, and men were mingled with women with all the licence of nocturnal orgies, there was no crime, no deed of shame, wanting. More uncleanness was wrought by men with men than with women. Whoever would not submit to defilement, or shrank from violating others, was sacrificed as a victim. To regard nothing as impious or criminal was the very sum of their religion."
Livy, History Of Rome; Book 39

"DIONYSOS (or Dionysus) was the great Olympian god of wine, vegetation, pleasure and festivity. He was depicted as either an older bearded god or a pretty effeminate, long-haired youth. His attributes included the thyrsos (a pine-cone tipped staff) and fruiting vine. 
Aaron J. Atsma, The Theoi Project: Greek Mythology 

Monday, September 30, 2019


"All these monsters stared about seeking him, but they could not find him, since he was protected by his sacred circle."
Nikolai Gogol, The Viy

"In appearance, the vodyanoi resembled a repulsive old man with hirsute body and long, matter hair and beard. It was frequently suggested that, like the devils in Russian icons, he looked black or that is body-hair was black. Some physical details, on the other hand, suggested the influence of the watery milieu in which he lived. Thus, his hair might be green or he might have webbed feet, a fishy tail, scaly skin. "
Elizabeth Warner, Russian Myths 

"This is the name of a dangerous water being in the folklore and traditions of Russia. The Vodianoi, also called Vodyanoi, Vodyanoy or Vodnik, is variously described as an old man with a blue face, white beard and green hair; an old man covered in scales or fur with huge paws, glowing eyes, horns and a tail; or entirely as a grotesque fish."
Carol Rose, Giants, Monsters and Dragons

Friday, September 27, 2019


“And God! The shapes of nightmare that float around in that perpetual daemon twilight! The blasphemies that lurk and leer and hold a Witches’ Sabbat with that woman as a high-priestess! The black shaggy entities that are not quite goats—the crocodile-headed beast with three legs and a dorsal row of tentacles—and the flat-nosed aegipans dancing in a pattern that Egypt’s priests knew and called accursed."
H.P. Lovecraft & Zealia Bishop, Medusa's Coil

"In an instant every moving entity was electrified; and forming at once into a ceremonial procession, the nightmare horde slithered away in quest of the sound—goat, satyr, and aegipanincubussuccuba, and lemurtwisted toad and shapeless elementaldog-faced howler and silent strutter in darkness—all led by the abominable naked phosphorescent thing that had squatted on the carved golden throne, and that now strode insolently bearing in its arms the glassy-eyed corpse of the corpulent old man."
H.P. Lovecraft, The Horror At Red Hook

"Capricorn or Sea Goat. This sign resembles Aegipan, whom Jupiter (Zeus) wished to be put among the constellations because he was nourished with him, just as he put the goat nurse we have mentioned before. He, first, as Eratosthenes (Greek poet C3rd B.C.) says, when Jupiter attacked the Titanes, is said to have cast into the enemy the fear that is called 'panikos'. The lower part of his body has fish formation, because he hurled shellfish against the enemy, too, instead of stones."
Pseudo-Hyginus, Astronomica 2. 28

Thursday, September 26, 2019


"It stood among osiers and alders on a low, mound-shaped elevation; and in front, toward the marshes, there was a loamy meadow-bottom where the short fat stems and tufted leaves of the mandrake grew in lush abundance, being more plentiful and of greater size than elsewhere through all that sorcery-ridden province. The fleshly, bifurcated roots of this plant, held by many to resemble the human body, were used by Gilles and Sabine in the brewing of love-philtres."
Clark Ashton Smith, The Mandrakes

"It looks as if the name 'mandrake' may have been applied to very strong plantroots shaped like little statuettes of the human figure. It was believed that small familiar demons took up their abode in these plants. Mandrakes revealed knowledge of the future by shaking their heads when questions were put to them."
Grillot de Givry, Witchcraft, Magic & Alchemy

"Mandrake. A poisonous perennial herb that grows in the Mediterranean region and that is reputed to have powerful magical properties. Mandrake, part of the nightshade family, has a strong and unpleasant odor. It is highly toxic, though it is used in theraputic remedies and as an aphrodisiac in love philtres. The magic attributed to mandrake is due to the shape of its thick root, which looks like a man or woman. According to lore, mandrake shrinks at the approach of a person. Touching it can be fatal. If uprooted, it shrieks and sweats blood, and whoever pulls it out dies in agony. 
Rosemary Ellen Guiley, The Encyclopedia Of Witches and Witchcraft

Wednesday, September 25, 2019


"105-Vampire visits man in ancestral abode-is his own father." 
H.P. Lovecraft, Commonplace Book

Tuesday, September 24, 2019


"Where wraiths, wind-wafted, kept their distant den;
Where sighing spirits move the listless leaves,
And owlets nest on ruin'd castles' eaves"
H.P. Lovecraft, To the Late John H. Fowler, Esq.

"The apparition or "double" of a living person, generally supoosed to be an omen of death. The wraith closely resembles its protoype in the flesh, even to the details of dress."
Lewis Spence, An Encyclopedia Of Occultism

Monday, September 23, 2019


"Here howl by night the werewolves, and the souls
 of those that knew me well in other days."
H.P. Lovecraft, Aletheia Phrikodes

"This is the name of a transformation of a human into a monstrous cannibal wolf."

 "The Werewolf is essentially a human form during the day but transforms, according to different versions, either at the height of the full moon, or by donning a special wolf skin, or permanently by some curse." 
Carol Rose, Giants, Monsters and Dragons

Thursday, August 29, 2019


Well, NecronomiCon 2019 has come and gone and I already can't wait til 2021. This year was the best one since Niels & co restarted it back in 2013. The panels, films, vendors and guests were all stellar. My only complaint was that there was so much cool stuff it was hard to pick what to do and what to skip. Here's a rundown of how spent the Con.

First off, Jeanne D'Angelo and I leisurely drove up from Philadelphia with Justine Jones and Tanya Finder. We stopped at Rosedale Cemetery in Orange NJ to see the graves of tennis champion Althea Gibson and workers rights heroes Quinta & Amelia Maggia.

Once we arrived in Rhode Island we went to the Providence Art Club for the Ars Necronomica art show where Jeanne & I had work on display. Tons of other great artists were represented including Brandon Kawashima, Michelle Souliere, Liv Rainey-SmithMatthew JaffeAllen KoszowskiJason Bradley ThompsonJoe Broers, Dave Felton, Ryan Lesser, Mike Knives, Karen Main, Kurt Komoda,  including Seventh Church Ministries collaborators Caitlin McCormack, Sam Heimer & Jason McKittrick!

Clockwise from top left: 
Sam Heimer, Kyla and James Quigley, Cryptocurium, Nick Gucker.

We then hightailed it out of there to see Robert Lloyd Parry perform two readings as M.R. James! He did the Ash Tree and Oh Whistle And I'll Come To You, My Lad with no microphone and lit only by 5 candles! It was fantastic and I'm so glad I got to see the performance.

The next day started with me on the very first panel of the con! It was called Scripturum Obscurum: Remarkable Unsung Authors and I, as promised, blathered about Margaret St. Clair and Charles Saunders. I was a little intimidated because the other panelists were pretty amazing. Fiona Maeve, Gemma Files, Leslie Clinger and Victor LaValle (go read his book The Changeling!) and they all suggested intriguing authors/books. The two most notable: Victor suggested Corregidora by Gayl Jones (about a woman who, after a hysterectomy, begins hearing the voices of her ancestors through the empty space in her abdomen!) and Fiona suggested Tentacle by Rita Indiana (a post apocalyptic epic with a voodoo prophecy and a transgender character that transitions with the help of a sacred anemone!).

After that we did what we came to do, we set up our table! We met two more weirdos that attached to our now mega-table, Stephen Wilson and Christian Degn. The vendor's room was great this year and was filled with spectacular artists: Yves Tourigny and Seventh Church Ministries collaborators Nick Gucker, James Quigley (aka Gunsho)Sam Heimer and Jason McKittrick (Cryptocurium)! Scott Nicolay, Anya Martin and Justin Steele were there at the Outer Dark table as well! He wasn't tabling but it was great to see Craig Gidney as he stopped by the table a few times to chat! 

Myself and Scott Nicolay Photo by Matthew Bartlett

The next day we tabled then I was on another panel, this one about Manly Wade Wellman! Again, an intimidating crew. I was sandwiched between Nathan Ballingrud and Orrin Grey two authors whose work I love and respect. We had a great time and I think we got to shed some light on Wellman's works and adaptations.

Orrin Grey, myself and Nathan Ballingrud
Photos by Kevin Wilson

We also got to see two of the films that were being screened: Aniara, (Sweden, 2019: an extremely depressing space epic) and The Hellstrom Chronicle (USA, 1971: a somewhat faux documentary about insects framed as a horror movie).

But probably my favorite part of the whole trip was hanging out with our carload of crudbags and Phil Gelatt & Victoria Dalpe who hosted us for the weekend. We stay with them every NecronomiCon and there's always the same cavalcade of sweet weirdos. Jordan Smith, Laura Maxfield, Andrea Sparacio (who did the cover and GOH illustrations in the Memento book!), Tim Mucci and Joseph E Dwyer. Usually we just see each other in the morning while chugging coffee or at night before we pass out, but this year we got some quality time and barbecued. Orrin Grey and Joshua Hackett were there and it was great to hang out with them not just on the vendor room floor.

Justine, Andrea, Tim, Vicki & Jeanne during the nerd BBQ!

Regrets? You bet. There are tons of people I only got to see for seconds like Paul Tremblay, John LanganSimon Strantzas and Matthew Bartlett. And I didnt even get to say hi to Silvia Moreno-Garcia or  Molly Tanzer (who's work I love). And of course I was super sad that Marcelo Gallegos, Skinner and Michael Wehunt didn't make it out.

On the way back we managed to stop at Ender's Island, a beautiful Christian retreat that offers art classes and recovery treatment. They also happen to have the mummified arm of St. Edmund on site!

I had an absolute blast this year and I'm honestly sad that it's over. I was filled with inspiration and hope. Thank you to all the organizers and volunteers that make NecronomiCon go. Extra thanks to Niels Hobbs and s.j. bagley who are great people (and the organizers I personally know haha!). Also super special thanks to my amazingly talented, inspired, inspiring and supportive partner Jeanne D'Angelo who had her own amazing zines for sale but also talked to people about my work and calmed me down when I was stressing out about dumb stuff. She's also an excellent navigator.