Hey all, as you may have noticed, this week's Manly Wade Wellman creatures have been postponed. I had a commission and attended the Black Flags Over Brooklyn fest so I didn't have enough time to finish them all up. However, they are scheduled to post starting this coming Monday February 4th.
Tuesday, January 29, 2019
Friday, January 25, 2019
LIVING SMOKE
LIVING SMOKE
"The smoke was molding itself, in what light I could make out, and began to look solid and shapy, as tall as me but thicker across, and two streamy coils waved out in the air like arms."
"I saw that smoke shape drifting sort of slow and greedy, clear of the hearth, and betwixt those two wavy steamy arm coils rose up a lumpy head thing. There was enough firelight to see that this smoke was thicker than just smoke. It must have soot and ash dust in it, solid enough to choke you. An in the lumpy head hung two dull red sparks, like eyes."
Manly Wade Wellman, Dumb Supper
Thursday, January 24, 2019
THE THING UP UNDER THE ROOF
THE THING UP UNDER THE ROOF
“Years afterwards, I saw through a microscope, the plodding of an amoeba. The thing up under the roof sounded as an amoeba looks, a mass that stretches out a thin, loose portion of itself, then rolls and flows all of its substance into that portion, and so creeps along. Only it must have been many, many thousands of times larger than an amoeba.”
“It seemed to me, at that moment, that the lath and plaster were no tighter or stronger than a spider web. And that the entity was incalculably more awful than prince and father of all spiders.”
Manly Wade Wellman, Up Under the Roof
Wednesday, January 23, 2019
GOLGOTHA DANCER
GOLGOTHA DANCER
"The front of the picture was filled with lively dancing creatures, as pink, plump and naked as cherubs and as patently evil as the meditations of Satan in his rare idle moments."
"The front of the picture was filled with lively dancing creatures, as pink, plump and naked as cherubs and as patently evil as the meditations of Satan in his rare idle moments."
"In my first half-moment of wakefulness I was aware that the room was filled with the pink dancers of the picture, in nimble, fierce-happy motion. They were man-size, too, or nearly so, visible in the dark with the dim radiance of fox-fire. On the small scale of the painting they had seemed no more than babyishly plump; now they were gross, like huge erect toads. And, as I awakened fully, they were closing in, a menacing ring of them, around my bed. One stood at my right side, and its grip, clumsy and rubbery-hard like that of a monkey, was closed upon my arm."
"That was their strength and horror—their ability to go flabby and non-resistant under smashing, flattening blows."
"She spoke, not in reply, but as if to herself. "They have no faces," she whispered. "No faces!" In the half-light that was diffused upon them from our lamp they presented the featurelessness of so many huge gingerbread boys, covered with pink icing."
"I met them, feet planted. I tried to embrace them all at once, went over backward under them. I struck, wrenched, tore. I think I even bit something grisly and bloodless, like fungoid tissue, but I refuse to remember for certain."
Manly Wade Wellman, The Golgotha Dancers
Tuesday, January 22, 2019
BEHINDER
BEHINDER
“‘And there's the Behinder.’
‘And what,’ said Mr. Yandro, ‘might the Behinder look like?’
‘Can't rightly say, Mr. Yandro. For it's always behind the man or woman it wants to grab.’”
Manly Wade Wellman, The Derrick On Yandro
“A biggish beast, standing about five feet and walking erect. The slender body mades it possible to hide completely behind the bole of a ten inch tree. The belt is long, thick and black, and the tail is carried recurved.”
“The Hidebehind is never found in the open. He always conceals himself behind a tree trunk. His marvelously quick, stealthy gait makes it possible for him to stay constantly behind his prey, no matter how quickly the suspicious victim may spin about in the hope of glimpsing the marauder.”
Henry Tryon, Fearsome Critters
Monday, January 21, 2019
SASABONSAM
SASABONSAM
“‘Like what the Ashantis in Africa call Sasabonsam,’ said Holly ‘He lives in a silk cotton tree there, and catches unwary men with his feet as they pass below’”
“‘Like what the Ashantis in Africa call Sasabonsam,’ said Holly ‘He lives in a silk cotton tree there, and catches unwary men with his feet as they pass below’”
Manly Wade Wellman, The Old Gods Waken
The Sasabonsam is described as a tall, thin humanoid shape that is colored red, with straight hair and bloodshot eyes. Their incredibly long legs have feet that point in both directions.”
Carol Rose, Giants, Monsters and Dragons
“One non-human vampire creature is also found in Africa. That is the asasabonsam, a monster described as having ferocious iron teeth.”
Kostantinos, Vampires: The Occult Truth
“A vampire found in Africa, known among the Ashanti of southern Ghana and by people in the areas of the Ivory Coast and Togo. The asanbosam is believed to reside in deep forests, most often encountered there by hunters. It is of general human shape with two exceptions: its teeth are made out of iron and its legs have hooklike appendages.“
Matthew Bunson, The Vampire Encyclopedia
Saturday, January 19, 2019
News...
Hey everyone! I hope you're enjoying these new monsters. So after this two weeks of Margaret St. Clair creatures we're gonna mix it up a bit and I'll be giving you two weeks of creeps based on the works of Manly Wade Wellman!
In the meantime, I thought I'd post my top "10" list from 2018 so you can get a little insight into what I listen to while I work. These are (in no particular order) all songs that either came out in 2018 or were written earlier but I heard them for the first time in 2018.


Crow Call (2014)
Jeanne got me into Ellie Bryant's solo work and this, her band with Peter Ruddy.
Jeanne got me into Ellie Bryant's solo work and this, her band with Peter Ruddy.

2-The Guests-Watching the War
Popular Music (2018)
I fell in love with Philly-based socialist goths The Guests after seeing them live this year.
Popular Music (2018)
I fell in love with Philly-based socialist goths The Guests after seeing them live this year.

3-The Guests-Boots On the Ground
Red Scare (2018)
Red Scare (2018)
Like I really fell in love with them.

Sisters Of Shaddowwe (2017)
More goth!

5-Dame-Bubble Baby
Charm School (2015)
Charm School (2015)
Another band I was lucky enough to see live this year.

Mávastellið (1983)
Jeanne and I discovered this Icelandic band when we were in a museum in Reykyavik last spring. They were active (and hugely popular locally) in the early 80s and their name translates to The Witches!

Jeanne and I discovered this Icelandic band when we were in a museum in Reykyavik last spring. They were active (and hugely popular locally) in the early 80s and their name translates to The Witches!

Another Icelandic band I found after researching Grýlurnar!

Planet Y (2016)
Danish punk in the vein of Masshysteri or Burning Kitchen!

Not Your Target (2017)
Fast paced punk that reminds me of early Dag Nasty.

Musique Exotique #01 (2016)
Raging Brooklyn-based hardcore.

Demo (2015)
Angry hardcore from Austin TX.

Fragments
More angry hardcore, this time from Oakland CA.

Demo (2016)
Even more angry hardcore, this time from NYC....seeing a pattern here?

Padded Cell
Philly locals that I got to see put on an amazing, energetic show this year.

The Savage Season Continues (2017)
Self described as "Black Liberation Hardcore" Mass Arrest hail from Oakland.
Self described as "Black Liberation Hardcore" Mass Arrest hail from Oakland.

City Of Ash (2018)
Another Philly band with an "former members of" list as long as my arm.

17-Soul Glo-27
Tour Tape 2K18 (For the Homie)
Even more Philly (this city is cool)! Chaotic and crazy their live shows are just as intense as their music!

18-Hirs-Yøu Can't Kill Us
Yøu Can't Kill Us (2018)
Philly locals (yup, again) made the national news as NPR covered the collective's intense newest release.
Even more Philly (this city is cool)! Chaotic and crazy their live shows are just as intense as their music!

18-Hirs-Yøu Can't Kill Us
Yøu Can't Kill Us (2018)
Philly locals (yup, again) made the national news as NPR covered the collective's intense newest release.

Riff-laden doom in the vein of St. Vitus...and guess what...they're from Philly!

20-Myrkur-Måneblôt
Mareridt
Ethereal Danish black metal with alternating screamed and clean vocals.

21-The Coup-The Guillotine
Sorry To Bother You (2013)
The Coup's anti-capitalist anthem is more relevant than ever now.
Sorry To Bother You (2013)
The Coup's anti-capitalist anthem is more relevant than ever now.
Black Panther Soundtrack
I love this song and love this movie. I only wish they didn't rip off Lina Iris Viktor's work for the video.
I love this song and love this movie. I only wish they didn't rip off Lina Iris Viktor's work for the video.
Friday, January 18, 2019
TALIPYGIAN
TALIPYGIAN
“‘Talypgians?’ I asked.’”
“‘The secondary inhabitants of Iapetus. You can’t photograph them easily, because they’re partly electrical energy, and they’re practically impossible to describe. They look like big maroon hedgehogs, as much as anything, with erectile electric crests over their heads, and lost of white sharp teeth.’”
‘“I’d never realized before what particularly vicious lower jaws they had.’”
“‘The Talipygian flapped his flippers, erected his crest, and said ‘gunk’ a couple of times.’”
Margaret St. Clair, Return Engagement
Thursday, January 17, 2019
HIEROPHANT
HIEROPHANT
“The asteroid was a bubble of lava, honeycombed with tunnels like a rotten apple with worm tracks, brittle, dry and dead.”
“From one of the branches someone—something (whatever that radiant shape is, it is certainly not human) is handing them a barely ripened fruit.”
“You were standing there in the lava cave with that white thing coiled all around you, burning you, sucking the life from you.”
“At last they had stopped going altogether and only the hierophants, long-lived, perhaps immortal creatures of pure energy, had remained.”
Margaret St. Clair, The Hierophants
Wednesday, January 16, 2019
ARTIST FAMILIAR
ARTIST FAMILIAR
“Badly drawn as it was, it had a set of cruelly competent long white teeth.”
“From the dim surface of the water a huge horned head was staring up at him. Sanderson wheeled about with a hoarse cry. At first he did not understand. Trailing behind him in the sooty light were a long, scaly lizardlike tail, two wobbling pipestem legs. And on the back were folded ribbed, repulsive, rusty bat wings. His wings.”
Margaret St. Clair, Counter Charm
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