Friday, July 26, 2019


Hey everyone! I have some cool news about this year's NecronomiCon in Providence RI (August 22nd-25th). I'll be tabling under the banner of Seventh Church Ministries (we literally got banners) along with fellow artists Jeanne D'AngeloJustine JonesStephen Wilson and Tanya Finder

Not only that but I'll be blabbering on two panels! One will be about overlooked and unrecognized authors (which fits perfectly with my work on Stories From the Borderland with Scott Nicolay and Anya Martin) and the other will be about Manly Wade Wellman! 

There are some really cool authors on both panels whose work I've read and loved over the years so I'm a bit intimidated. Hopefully, everyone will enjoy me talking about SATOR squares and Charles Saunders

Speaking of Wellman, I did 4 brand new zines for the Con but the Manly Wade Wellman zine Appalachian Compendium II will be available on this blog, on Friday August 9th 11AM EST. It will be limited to 20 copies online!

Stories From the Borderland III & Horrer Kumpendyum III will be available online after the Con. Wilderling Compendium I will ONLY be available at the Con

Lastly, Jeanne and I will both have original art in the Ars Necronomica show at the Providence Art Club. My piece will be the cover I did for Micheal Wehunt's debut collection Greener Pastures in a custom and weird frame made by Brad Omen!

Hopefully I'll see you there!

Tuesday, July 23, 2019


Hey everyone! This is the first of two news posts. I just wanted to give you a heads up about two anthologies that I did the covers for. 

First up is Broken Eye Books' Lovecraft themed anthology Welcome To Miskatonic University! It includes stories from Kristi DeMeester, Gwendolyn Kiste, Matthew M. Bartlett, Brandon O'Brien, Marcus Chan,  Liz Schriftsteller, Elliot Cooper, Bennett North, Gina Marie Guadagnino, Scott R. Jones, Brenda Kezar, Nate Southard & K.G. McAbee. If that publisher sounds familiar it's because did interior illustrations for the Broken Eye Books anthology Ride The Star Winds

Next up is the David Cronenberg-themed anthology from Weirdpunk Books titled The New Flesh! This anthology features stories by 
Brian Evenson, Sara CenturyC.M. MullerLeo X Robertson, Max D. StantonEmma Alice Johnson, Cody Goodfellow, Bruno Lombardi, Katy Michelle Quinn, Jack Lothian, Mona Swan LeSueur & Fiona Maeve Geist, Madeleine Swann, Charles Austin Muir, Ryan Harding, Alex Smith, 
Gwendolyn Kiste
Brendan Vidito, & Sam Richard! If this publisher looks familiar it's because I did the cover illustration for their anthology Zombie Punks Fuck Off!

I'd highly recommend either of these collections since I've worked with both publishers before and I'm familiar with most of the authors involved.

Stay tuned because I'll be posting NecronomiCon news within the next few days!!

Wednesday, July 3, 2019


"Objects are eight feet long all over. Six-foot five-ridged barrel torso 3.5 feet central diameter, 1 foot end diameters. Dark grey, flexible, and infinitely tough. Seven-foot membraneous wings of same colour, found folded, spread out of furrows between ridges. Wing framework tubular or glandular, of lighter grey, with orifices at wing tips. Spread wings have serrated edge. Around equator, one at central apex of each of the five vertical, stave-like ridges, are five systems of light grey flexible arms or tentacles found tightly folded to torso but expansible to maximum length of over 3 feet. Like arms of primitive crinoid. Single stalks 3 inches diameter branch after 6 inches into five sub-stalks, each of which branches after 8 inches into five small, tapering tentacles or tendrils, giving each stalk a total of 25 tentacles.

“At top of torso blunt bulbous neck of lighter grey with gill-like suggestions holds yellowish five-pointed starfish-shaped apparent head covered with three-inch wiry cilia of various prismatic colours. Head thick and puffy, about 2 feet point to point, with three-inch flexible yellowish tubes projecting from each point. Slit in exact centre of top probably breathing aperture. At end of each tube is spherical expansion where yellowish membrane rolls back on handling to reveal glassy, red-irised globe, evidently an eye. Five slightly longer reddish tubes start from inner angles of starfish-shaped head and end in sac-like swellings of same colour which upon pressure open to bell-shaped orifices 2 inches maximum diameter and lined with sharp white tooth-like projections. Probable mouths. All these tubes, cilia, and points of starfish-head found folded tightly down; tubes and points clinging to bulbous neck and torso. Flexibility surprising despite vast toughness.

“At bottom of torso rough but dissimilarly functioning counterparts of head arrangements exist. Bulbous light-grey pseudo-neck, without gill suggestions, holds greenish five-pointed starfish-arrangement. Tough, muscular arms 4 feet long and tapering from 7 inches diameter at base to about 2.5 at point. To each point is attached small end of a greenish five-veined membraneous triangle 8 inches long and 6 wide at farther end. This is the paddle, fin, or pseudo-foot which has made prints in rocks from a thousand million to fifty or sixty million years old. From inner angles of starfish-arrangement project two-foot reddish tubes tapering from 3 inches diameter at base to 1 at tip. Orifices at tips. All these parts infinitely tough and leathery, but extremely flexible. Four-foot arms with paddles undoubtedly used for locomotion of some sort, marine or otherwise. When moved, display suggestions of exaggerated muscularity. As found, all these projections tightly folded over pseudo-neck and end of torso, corresponding to projections at other end."
H.P. Lovecraft, At the Mountains Of Madness

Tuesday, July 2, 2019


"But those in the cult certainly were supposed to have the real witches' marks. It was the long, thin spines which are supposed to cover the body of their god Glaaki. In the initiation ceremony the novice was held (sometimes willing, sometimes not) on the lake shore while Glaaki rose from the depths. It would drive one of its spines into the chest of the victim, and when a fluid had been injected into the body the spine detached from itself from the body of Glaaki."

Through the emission of impulses, perhaps magnetic, from the brain of Glaaki, the man was kept alive while he was controlled almost completely by the being."

Ramsey Campbell, The Inhabitant Of the Lake

Monday, July 1, 2019


"There were scenes of old wars, wherein Leng's almost-humans fought with the bloated purple spiders of the neighbouring vales."
H.P. Lovecraft, Dream-Quest Of Unknown Kadath

"Of earthly minds there were some from the winged, star-headed, half-vegetable race of palaeogean Antarctica; one from the reptile people of fabled Valusia; three from the furry pre-human Hyperborean worshippers of Tsathoggua; one from the wholly abominable Tcho-Tchos; two from the arachnid denizens of earth’s last age; five from the hardy coleopterous species immediately following mankind, to which the Great Race was some day to transfer its keenest minds en masse in the face of horrible peril; and several from different branches of humanity."
H.P. Lovecraft, The Shadow Out Of Time 

Friday, June 28, 2019


"The Great Race's members were immense rugose cones ten feet high, and with head and other organs attached to foot-thick, distensible limbs spreading from the apexes. They spoke by the clicking or scraping of huge paws or claws attached to the end of two of their four limbs, and walked by the expansion and contraction of a viscous layer attached to their vast, ten-foot bases."

"These members were sometimes contracted almost to nothing, and sometimes extended to any distance up to about ten feet. Terminating two of them were enormous claws or nippers. At the end of a third were four red, trumpetlike appendages. The fourth terminated in an irregular yellowish globe some two feet in diameter and having three great dark eyes ranged along its central circumference. Surmounting this head were four slender grey stalks bearing flower-like appendages, whilst from its nether side dangled eight greenish antennae or tentacles. The great base of the central cone was fringed with a rubbery, grey substance which moved the whole entity through expansion and contraction."
H.P. Lovecraft, The Shadow Out Of Time

Thursday, June 27, 2019


"And hoary Nodens raised a howl of triumph when Nyarlathotep, close on his quarry, stopped baffled by a glare that seared his formless hunting-horrors to grey dust."
H.P. Lovecraft, Dream-Quest Of Unknown Kadath

"And in the air about him were great viperine creatures, which had curiously distorted heads, and grotesquely great clawed appendages, supporting themselves with ease by the aid of black rubbery wings of singularly monstrous dimensions."
H.P. Lovecraft & August Derleth, The Lurker At the Threshold

Wednesday, June 26, 2019


"...the basis of the fear was a horrible elder race of half-polypous, utterly alien entities which had come through space from immeasurably distant universes and had dominated the earth and three other solar planets about 600 million years ago."

"There were veiled suggestions of a monstrous plasticity, and of temporary lapses of visibility, while other fragmentary whispers referred to their control and military use of great winds. Singular whistling noises, and colossal footprints made up of five circular toe marks, seemed also to be associated with them."H.P. Lovecraft, The Shadow Out Of Time

Tuesday, June 25, 2019


"There (thought I) lie scenes of pleasure
Where the free and blessed dwell,
And Each moment bears a treasure
Freighted with a lotus-spell,
And there floats a liquid measure
From the lute of Israfel."
H.P. Lovecraft, Astrophobos

"In Islamic tradition Israfel is the angel who will blow the last trumpet to signal the Day of Judgement and the resurrection of the faithful."
Carol Rose, Spirits, Fairies, Leprechauns, and Goblins

"Isrāfīl is usually conceived as having a huge, hairy body that is covered with mouths and tongues and that reaches from the seventh heaven to the throne of God. One wing protects his body, another shields him from God, while the other two extend east and west."
Encyclopedia Britannica

Monday, June 24, 2019


"It was of no use to demonstrate to such opponents that the Vermont myths differed but little in essence from those universal legends of natural personification which filled the ancient world with fauns and dryads and satyrs, suggested the kallikanzari of modern Greece, and gave to wild Wales and Ireland their dark hints of strange, small, and terrible hidden races of troglodytes and burrowers."
H.P. Lovecraft, The Whisperer In Darkness

The kallikantzaroi are monstrous beings, black, hairy, sometimes gigantic, sometimes very small, usually equipped with animal-like limbs: donkeys' ears, goatish paws, equine hooves. They are often blind or lame; they are invariably males provided with enormous sexual organs."

"They pounce on anyone they see, overwhelm them and with their nails (which are clawlike and very long because they never cut them) scratch their face and chest and left on the ground half-dead."
 Carlo Ginzburg, Ecstasies: Deciphering the Witches' Sabbath

Friday, May 17, 2019


"Looking down again, they saw that a blob of something was growing on the pavement ten feet from them."

"Turning they saw it emerge into the light--shapeless and jelly-green under the white flare."

"There was a final surge, a shrinking, and its shapelessness contracted into limbs, a head, feet. the naked man-thing pushed itself to its knees and then stood straight, the flesh by now opaque. Eye sockets caved into the face. A mouth ripped apart on the skull and the chest began to move with a west steamy sound in irregular gasps."

"Something was happening at the front. Figures, three or four of them, were detaching themselves from the mother mass and preceding it."
Samuel R. Delany, The Jewels Of Aptor

Thursday, May 16, 2019


"Kirkhusa look more like big land-bound otters than canines. They're trainable, cheap as anything because they eat only the leaves of low bushes and the insects that grow on them. And they're even cuter than puppies when they're small....but this kirkhusa isn't cute. It's big, a good hundred pounds of healthy, sleek-furred flesh."

"It's growling, and as it slinks out of the grass and up onto the road, you see red blooms in the fur around its mouth and on its clawed, prehensile paws."

"That's the problem with kirkhusa, see. The reason everyone can afford them. They eat leaves -- until they taste enough ash, which triggers some instinct within them that's normally dormant. Then they change. Everything changes during a Season."
N.K. Jemisin, The Fifth Season

Wednesday, May 15, 2019


"The light-robed dweller in the red barrens sat there, and the great black blob of shapeless jelly heaved gently on the crystal floor. She saw others she had watched enter, and many more. One was a female creature whose robe of peacock iridescence sprang from her shoulders in great drooping wings and folded around her like a bat's leathery cloak. And her neighbor was a fat gray slug of monster size, palpitating endlessly."
C.L. Moore, Jirel Meets Magic

Tuesday, May 14, 2019


"The naga was massive, wingspan of ten houses, clawed feet and barbed tail, mouth big enough to swallow a person whole."
JY Yang, The Black Tides Of Heaven

"Above all, there were the naga. More lizard than serpent, they soared through the skies on wings of leather, bird boned and jewel toned. These were apex predators, graceful and deadly, inscribed into the journals of adventurers with a kind of reverence reserved for the gods of old. A single bite could cut a man in half."
JY Yang, The Red Threads Of Fortune

"The word literally means 'snake' in Sanskrit but in Java it normally referred to serpent deities. Serpents in ancient Java and India were usually connected with water and fertility. They can be either good or evil. On Borobudur they are depicted in human form, but elsewhere they may appear in their natural animal shape."
Oleh John Miksic, Borobudur: Golden Tales Of the Buddhas

Monday, May 13, 2019


"The kirin lurched out of the shadows a the same second they felt its presence in the Slack."

"The kirin reared, wings swallowing the sky, head brushing the top of the trees, screech shaking the bones of the earth. A creature that was half bird, half lion, and all terror."
JY Yang, The Black Tides Of Heaven

"It is described as being a multicolored animal with a single horn protruding from its forehead."
Carol Rose, Giants, Monsters and Dragons

Sunday, May 12, 2019

This week....

Clockwise from top left:
JY Yang, C.L. Moore, N.K. Jemison & Samuel Delany

Starting tomorrow I'll be posting a weeks worth of monsters from various authors who's work I love! We'll start off with two from JY Yang's amazing "silk punk" Tensorate series, then move on to an obscure creep from a classic C.L. Moore story. After that we'll jump to a creature from N.K. Jemisin's award winning Broken Earth trilogy that I've wanted to draw since I read it. And we'll wrap up with an extremely deep cut from one of Samuel Delany's early novels The Jewels Of Aptor!

Friday, May 10, 2019


"What were those flying out of it? Bits of incinerating building? They looked like bats. Demons." 

"It was a large black bat. And it was clutching her wallet, her glasses in their hard green case, and Udide's Book Of Shadows in its strong sharp claws." 

"Murks look like tiny bats and dwell in pools of darkness-under a fallen tree in a lake, beneath houses, under beds, whatever." 

"'Murks like to slap, ' Chichi said. 'Their wings feel like hot steel.'" 
Nnedi Okorafor, Akata Warrior

Thursday, May 9, 2019


"'What the hell is that?' she asked. It looked like a red grasshopper the size of her hand.
'It's a ghost hopper,' Orlu whispered. 'They're harmless.'"

"It sat on her bed staring at her with its large orange compound eyes. Sunny wasn't afraid of grasshoppers, not even their strong flicking legs. But this creature was the size of an American football. It turned and, with a soft hum, hop-flew across the room, landing on the wall."
Nnedi Okorafor, Akata Witch

Wednesday, May 8, 2019


"Tower 4 was a concrete flower that housed suicidal birds called phoenixes, shape shifting monkeys, glowing spiders, lightning birds, cheetahs with deformed tails who drooled and ran fast as airplanes."
Nnedi Okorafor, The Book Of Phoenix

Tuesday, May 7, 2019


"The dry yellow grasses there had been cut low but still were occupied by hopping ntu ntu bugs, their brilliant orange-pink pigmentation eye-catching in the sunlight."
Nnedi Okorafor, Binti: The Night Masquerade

Monday, May 6, 2019


"Something huge and snake-like leaped out of the water. It arched in the air, twisting in a spiral and noiselessly dropping back into the depths. At least ten grey shark-like fins all in a row surfaced not far from short. They - or it - sharply turned and headed farther out to sea."

"Then Adaora saw something below Hawra swimming up, quickly. Something huge, black, with too many fins. She could see the thing more clearly now. A mouth. Opening. Full of teeth."
Nnedi Okorafor, Lagoon

Friday, May 3, 2019


"I was in the forest digging up clay to make my otjize when a large piglike beast came running at me. I twas too late to make a run for it, so I froze and looked it in the yes. The beast stopped, sniffed me with its wet snout, rubbed its rough brown furry rump against my arm, lost interest and walked off."
Nnedi Okorafor, Binti: Home

Thursday, May 2, 2019


"He'd immediately struck up a conversation with the dorm's elder, a treelike individual who spoke in a series of cracking and creaking sounds."
Nnedi Okorafor, Binti: Home

Wednesday, May 1, 2019


"Over the last year, I'd learned (well, brashly been told) that the females of this group of people had the long antenna with the yellow eyes. The males simply had a large green eye on their dome, no antenna."
Nnedi Okorafor, Binti: Home

Tuesday, April 30, 2019


"She was a creature somewhat like Okwu, jellyfish-like and the size of a storage shed, except her dome was a deep shade of black and she had antennae at the center with a large yellow eye."
Nnedi Okorafor, Binti: Home

Monday, April 29, 2019


"'Tungwas are just things that dwell in Leopard Knocks,' Orlu explained. 'Floating bags of teeth, bone, meat, and hair. They explode when they're ready.'"
Nnedi Okorafor, Akata Witch

"Round and large as a basketball, its thin brown skin grazed the tip of a flower."
Nnedi Okorafor, Akata Warrior

Friday, April 26, 2019


I know it's been a while since I posted new monsters but this coming Monday I'll be posting two weeks worth of new creatures inspired by the work of one of my favorite contemporary authors, Nnedi Okorafor

Her Binti series, a space opera rooted in a futuristic Africa, got me hooked and since then I've read Who Fears Death (which is currently being developed into an HBO series produced by George R. R. Martin) and it's prequel The Book Of Phoenix, Lagoon (a parable about environemental and societal corruption) and the Akata Witch series (imagine Earthsea but set in an alternative modern day Nigeria). 

The Binti series is a shining example of fiction that makes me work on this blog. Reading it, I had to draw the beautiful, bizarre and alien creatures described in it. As I was reading I was tracing the lines of the Meduse in my head, working out how the jellyfish-people differ and imagining the colors of the ntu-ntu bugs. If her writing wasn't so compelling I'd have put the book down right then and there and started to draw. But her writing is compelling. It's down to earth while being set on Mars. It's got big picture issues told through the lens of a personal experience. I love her work so much and hopefully I'll inspire some of you to read her stories if you haven't already. 

Tuesday, April 23, 2019


Hey everyone! I know this February was filled with monsters but I had to take a break from March until now. Mostly because I was working out the details of a very exciting upcoming project. I was keeping quiet about it but now I can announce...

Lethe Press will be publishing three books of monsters that I've illustrated! Lethe Press has  been a stellar publisher of weird/horror fiction having released Tom Cardamone's Pumpkin Teeth, Anya Martin's Sleeping With the MonsterLivia Llewellyn's Engines Of Desire and T.E. Grau's The Nameless Dark.

The first book will focus on creatures from world mythology and folklore, tentatively titled "Monstrous Mythology: Illustro Obscurum I" we're aiming for a release by the end of this year! Here's a quote from the Lethe press release: 

"The ancient myths bears their fangs in this illustrated book by artist Michael Bukowski. As a child, the artist read the works of H.P. Lovecraft and discovered how that weird fiction author name-dropped a veritable who's who of gods and creatures from ancient folklore. Before long, Bukowski began sketching how he imagined Apollo and Circe as frightening entities."

"Paperback, 96 pages, featuring full-color art throughout!"

So for those of you who haven't been able to grab one of the extremely limited hand made zines, I'll finally have a mass market version available. You should also expect some gods/creatures never before available and some reworked or completely redrawn monsters!

I'm extremely excited about working with editor Steve Berman and 
Lethe Press! Keep checking in here or on Seventh Church Ministries or Lethe Press for updates!

Friday, February 22, 2019



"The light-robed dweller in the red barrens sat there, and the great black blob of shapeless jelly heaved gently on the crystal floor."
C.L.Moore, Jirel Meets Magic

Thursday, February 21, 2019


"In a few moments the dwarfish shape had stumbled to Angela. In the darkness Barbara might have mistaken it for a child, except that its unstable head was disproportionately small, its skin appeared to be flapping."

"She handed the object to the dwarfish thing, which floundered away at once, toward the marshes."
Ramsey Campbell, The Nameless

Wednesday, February 20, 2019


"Depictions of Coatlicue are fairly rare in Aztec art. The most famous representation, and one of the most powerful Aztec sculptures, is the colossal figure discovered in 1790 alongside the cathedral of Mexico. Coatlicue wears a dress of woven rattlesnakes. Her pendulous breasts are partially obscured behind a grisly necklace of severed hearts and hands. Writhing coral snakes appear in place of her head and hands, denoting gouts of blood gushing from her severed throat and wrists. The two great snakes emerging from her neck face one another, creating a face of living blood."
Mary Miller & Karl Taube, The Gods and Symbols Of Ancient Mexico and the Maya

Tuesday, February 19, 2019


"An empty black face save for pale grey pinhole eyes, staring up at her, meeting her wide-eyed gaze with utter impunity. A  smudged charcoal sketch of something vaguely humanoid, limbs long and spider-thin. It sat there for a moment, boneless in the seat beside her; it blinked languidly, lids like shutters sliding over those hard grey eyes."

"It lurked there a moment, barely visible but there, and when it finally came into the light - tentative, as if it might burn - she knew what it was. An oil-smear of a creature; the awful distortion of something almost human, crawling slowly on four long matchstick limbs. A narrow, elongated head bobbed limp on a thin neck. Pale eyes flickered open like newly-lit flames."

"The skin of it peeled back, the space below the eyes opening like a shutter to reveal  a gleaming lamprey mouth: a perfect circle of bright, needle-sharp teeth."

"The only solid facts I know is that the Shades are actually real, that I started seeing them after the bomb, and that they've been following me about ever since."
Laura Mauro, Naming the Bones

Monday, February 18, 2019


"Sonny thrashed against the floorboards and continued to ejaculate. In the near darkness, she became confused by what she saw--the short quick spurts that arced across his body were neither ropes nor strands, but thick and segmented. She'd seen a dead bird in the garbage and what had feasted upon it in oozing carpets, and her mental equilibrium wobbled mightily. "
Laird Barron, Catch Hell

Friday, February 8, 2019


"And Leonardo was always interested in monsters. He shut himself away and studied all kinds of unpleasant little things - lizards, spiders, bats - and borrowed from all, blending and flavoring them with his own genius."

"If Leonardo da Vinci, a curly-blond boy in his teens, had studied lizards, bats and spiders for this, he had not hodge-podged his studies. Anyone else would have been content with a lizard's body, a spider's knuckly jointed legs, a bat's wings. Not so Leonardo, master of his eye and hand and brush even before his voice had changed and the first peachy fuzz had sprouted for the the beginning of that apostolic beard he was to wear."

"The legs - there seemed to be a great many of them - were hairy and jointed, but those in front, at least, bore hand-like extremities, reminiscent of the forefeet of lizards. Those wings were true da Vinci work; Norbier remembered the tales of how da Vinci, seeking to invent the airplane centuries before Langley or Wright, studied painstakingly ever flying creature, bat, bird and insect. As for the thing's head, that was apparently meant to seem a squat, dark-furred blotch, with two glowing close-set eyes peering from the thick fur as from an ambush. A real face to it, flattened like a bat's and a mouth with a jaw of ophidian shallowness, but a little open to show... yes, fangs. No wonder that everyone who saw the thing, from Piero da Vinci to the present, squared his shoulders a trifle to dissemble a shiver."

"It seemed to crouch there, then to hoist itself erect on the tips of its multiple claws. Among the curved, jointed brackets of its hind legs hung a puffy body, like a great crammed satchel. The integument had pattern, like scales, and from the spaces between the scales sprouted tufts and fringes of dark fur, like plush grown wild. And it had wings, also scaly and tufted, ribbed like a bat's that winnowed and stirred above its bulk. The head, a shaggy ball, craned in his direction. Deep within the thicket of fur upon the face clung two wise, close-set eyes, that glowed greenly, then redly, at him. Between and above them the fur seemed to part in two directions, as if the undeveloped forehead frowned.  A mouth opened, the light caught a stockade of white, irregular, pointed fangs. A great gout of foam came out, and fell splashing on the floor."

"The two foremost limbs rose, and at the ends Norbier saw hand-like claws, like the front feet of a big, big lizard."
Manly Wade Wellman, The Leonardo Rondache

Thursday, February 7, 2019


"'It's the hugest flying thing there is, I guess,' said Miss Tully. 'Its voice tolls like a bell, to tell other creatures their feed's near.'"

"The Toller said gong-gong-gong, from closer in."
Manly Wade Wellman, The Desrick On Yandro

Wednesday, February 6, 2019


"'The Bammat's something hairy-like, with big ears and a long wiggly nose and twisty white teeth sticking out of its mouth—'"

"'Oh!' And Mr. Yandro trumpeted his laughter. 'You've got some story about the Mammoth. Why, they've been extinct—dead and forgotten—for thousands of years.'"

"'Anyway,' he went on arguing, 'the Mammoth—the Bammat, as you call it—is of the elephant family. How would anything like that get up in the mountains?'"

"It was big and broad-headed, with elephant ears to right and left, and white tusks like bannisters on a spiral staircase. But it was woolly-shaggy, like a buffalo bull. The Bammat. How could such a thing move so quiet-like?"
Manly Wade Wellman, The Desrick On Yandro

Tuesday, February 5, 2019


"I knew whose hand it was, black-furry like a spider."

"That third one looked at first glimpse like a big, big man wearing a dark fur coat. Then you saw the fur was on the skin, with warty muscles bunching through. The head was more like a frog's than anything else, wide in the mouth and big in the eye and no nose. It spread its arms quiet-like around the shoulders of Reed Barnitt and Aram Harnam, and took hold with two hands that had both claws and webs."

"Their eyes piced up  thelantern light and shone green, like dog eyes."

"'The Ancients are dead,' spoke up Clay. 'Way I reckon, what's in there ain't no Ancients; just something the Ancients left behind.'"
Manly Wade Wellman, Shiver In the Pines